Dafne Ortiz Salazar

“The 114” Incantation Bowl  

Sculpture and poetry. Papier-mâché, enamel, coffee, acrylic paint. 100 cm diameter, 60 cm hight.

A project by Dafne Ortiz Salazar, In collaboration with Nathalie Kertesz, Ionah Nour, Dídac Pintor Codina

“The 114” Incantation Bowl requests the return of the 114 desecrated bodies currently held in the archive of the Museum of History of Barcelona, so they may be laid to rest in the Montjuic Jewish cemetery again. It is an oversized papier-mâché version of the 5th and 7th centuries Aramaic bowls that were typically used to address an illness or unjust situation, often attributed to demonic agents.

Part of the poem 4 canciones de Miriam, written by Ionah Nour, has been written on the bowl as Aramaic poems or legal texts used to be inscribed. The only names known from the Montjuic Jewish Cemetery have also been inscribed, by Dídac Pintor Codina. Central drawing by Dafne Ortiz Salazar, papier-maché sculpture by Dafne Ortiz Salazar and Nathalie Kertesz.

4 Canciones de Miriam, Poem written for The 114 Incantation Bowl project by Ionah Nour

Lilith as the postpartum anxiety. Comic. Black ink on paper (hand-drawn and printing) and acrylic and pastel pencils on foam board
Dimensions: panels of 29,7×42 cm paper and two 100×140 cm boards

Lilith as the postpartum anxiety portrays the ancient fear of losing the baby after birth with images of the newborn life followed by the appearance of her Fear in the shape of Lilith. This piece will later be part of her comic book on postpartum anxiety.